It's the
age-old story: troubled playboy billionaire becomes self-made crime
fighter after a traumatic incident. But the heroic protagonist at the
center of the CW's new action series
Arrow bears little
resemblance to a certain caped crusader that you may be thinking of. For
one thing, this one wears a hood. And it's green.
In the wide
world of DC Comics superheroes, the Green Arrow is certainly one of the
more obscure ones, compared to the Batmans and Wonder Womans that have
permanently permeated pop culture. But a lack of Hollywood attention
also means that there's nothing to compare it to, so the CW has carte
blanche to re-tell the origin story of the Green Arrow — that of
socialite Oliver Queen, who returns home after being stranded on a
deserted island for five years following a shipwreck that claims the
lives of both his father and his ex-girlfriend's sister (more on those
dramatics later).
Oliver (
Stephen Amell and eight abs)
struggles to come to terms with the reality of having to return to his
old life after surviving for half a decade on an island (with no talking
volleyball to befriend): his mother has a new husband, his sister has
moved on, his bodyguard won't let him out of his sight, and he can't
just snap back into his party-boy ways with old wingman Tommy (played
with a pop of energy by Broadway transplant
Colin Donnell). And then there's his ex-girlfriend Laurel (
Gossip Girl's Katie Cassidy,
looking mighty fine as a brunette), a lawyer who harbors a certain —
shall we say, resentment? — towards her former lover after finding out
not only that her sister died in the shipwreck, but that she got busy
with Oliver just moments before the crash.
All that seems
difficult enough for Oliver to process until he and Tommy find
themselves kidnapped and facing present danger in an abandoned
warehouse. Without spoiling too much, it's this act of crime that
essentially spurs Oliver to do what he had prepped for during his tenure
on the island: seek vengeance. Against a whole lot of people, it seems.
And herein lies our superhero story! There's action, sex, intricate
costumes, underground lairs and — if you're not tired of archers yet —
plenty of crossbow action. Plus, there are at least
two (!) killer twists at the end of the pilot that will definitely keep you buzzing until Episode 2.
Without a doubt,
Arrow is poised to be the network's new
Smallville,
and it certainly seems like it's game for replicating the comic book
mythos and twentysomething melodrama that made the Superman vehicle a
smash hit. The show is carried by Amell, who brings a mysterious flair
to Oliver that's surprisingly satisfying, even though we don't quite
know whether his smirk is deceitful or playful. Oliver is a peculiar and
guarded individual, but his heroics are endlessly fascinating, almost
in the same unpredictable vein as a Jack Bauer or Ethan Hunt figure.
Amell is of course supported by a number of supporting players
(including his torso) who bring the comic book characters to life with
unique pizazz. (Personally, I can't wait to see how Speedy and Merlyn
emerge over the course of the show.)
It's no television groundbreaker, but for a superhero saga,
Arrow is
a solid entry that stands out among a sea of past failed attempts at
television crime fighters. The pilot is a strong start (despite some
expositional dialogue that's less than brilliant), and I'm already
aching to see what happens in the second installment. And to create that
much intrigue from 45 minutes of television is a feat that, in itself,
is super.
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